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The book was also reviewed by Philip Blosser in Research in Phenomenology, [7] the theologian Thomas J. J. Altizer in Journal of the American Academy of Religion, [8] the Buddhist studies scholar Bernard Faure in The Journal of Asian Studies, [9] Thomas P. Kasulis in The Journal of Religion, [10] and Richard H. Drummond in Journal of Ecumenical ...
The death of God, in particular the statement that "we killed him", is similar to the self-dissolution of Christian doctrine: due to the advances of the sciences, which for Nietzsche show that man is the product of evolution, that Earth has no special place among the stars and that history is not progressive, the Christian notion of God can no ...
Like other forms of music the creation, performance, significance and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes or with a positive message as an entertainment product for the ...
Mereological nihilism entails the denial of what is called classical mereology, which is succinctly defined by philosopher Achille Varzi: [2]. Mereology (from the Greek μερος, 'part') is the theory of parthood relations: of the relations of part to whole and the relations of part to part within a whole.
Metaphysical nihilism is the philosophical theory that there might have been no objects at all—that is, that there is a possible world in which there are no objects at all; or at least that there might have been no concrete objects at all, so that even if every possible world contains some objects, there is at least one that contains only abstract objects.
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Contemporary Christian music (CCM), also known as Christian pop, and occasionally inspirational music, is a genre of modern popular music, and an aspect of Christian media, which is lyrically focused on matters related to the Christian faith and stylistically rooted in Christian music.
Hymnology (from Greek ὕμνος hymnos, "song of praise" and -λογία -logia, "study of") is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song.