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Spanish personal pronouns have distinct forms according to whether they stand for the subject (nominative) or object, and third-person pronouns make an additional distinction for direct object (accusative) or indirect object (dative), and for reflexivity as well. Several pronouns also have special forms used after prepositions.
Don Manuel García Escobar MML (19 October 1931 – 24 October 2013), better known as Manolo Escobar, was a Spanish singer of Andalusian copla and other Spanish music. He was also an actor and performed in multiple musicals.
The " Mexican National Anthem " (Spanish: Himno Nacional Mexicano, pronounced ['imno nasjo'nal mexi'kano]; Nahuatl languages: Mexihcaletepetlacuicalt[citation needed]), also known by its incipit " Mexicans, at the cry of war " (Spanish: Mexicanos, al grito de guerra), is the national anthem of Mexico. The lyrics of the national anthem, which ...
Tengo Todo Excepto a Ti. " Tengo Todo Excepto a Ti " ("I Have Everything Except for You") is a song written, produced, and arranged by Juan Carlos Calderón, and performed by Mexican singer Luis Miguel. It was released as the lead single from his studio album 20 Años (1990). It reached the number one position all over Ibero-America, became his ...
Sin Bandera is a Mexican romantic ballads duo consisting of Mexican singer-songwriter Leonel Garcia and Argentine singer-songwriter Noel Schajris. They formed in Mexico City in 2000. [1] They became one of the most popular artists after their eponymous debut studio album Sin Bandera was released on November 20, 2001.
Me Gustas Tú (Manu Chao song) " Me Gustas Tú " is the second single from Manu Chao 's second solo album, Próxima Estación: Esperanza. One of the artist's most popular songs worldwide, Its lyrics have a simple but catchy structure and are mostly in Spanish with parts of the chorus in French. The song, as well as two other tracks from the ...
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"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]