Search results
Results from the WOW.Com Content Network
The Jing (simplified Chinese: 净; traditional Chinese: 淨) is a role type in Chinese opera for "rough" or "mighty" male characters. [citation needed] In many genres (such as Peking opera and Cantonese opera), this role requires heavy face painting. As a result, it is also known as Hualian ("Painted face").
Peking opera is performed using both Classical Chinese and Modern Standard Chinese with some slang terms added for color. The social position of the character being played determines the type of language that is used. Peking opera features three major types of stage speech (nianbai, 念白). Monologues and dialogue, which make up the majority ...
Beijing opera costumes, 2012. Beijing opera was created in 1790 during the reign of the Qianlong Emperor in the Qing dynasty; however, the origins of its costumes can be traced back to the 14th century. [3] The costumes were set in the Qing dynasty but its style mainly followed the Ming dynasty's hanfu-style clothing.
Most studies of Peking opera classify the Chou as a minor role. Chou roles can be divided into Wen Chou (文丑), civilian roles such as merchants and jailers, and Wu Chou (武丑), minor military roles. The Wu Chou is one of the most demanding in Peking opera, because of its combination of comic acting, acrobatics, and a strong voice.
Male Peking opera actors (4 C, 1 P) Pages in category "Male actors of Chinese opera" The following 4 pages are in this category, out of 4 total.
The laosheng (Chinese: 老生; pinyin: lǎoshēng; lit. 'old sheng') is a dignified older role, usually distinguished by a long, thin, three-part beard. [1] These characters have a gentle and cultivated disposition and typically wear long robes with water sleeves, high-soled boots, and fabric headdresses.
In a 2006 interview, Sichuan Opera performer Wang Daozheng said the secret of Bian Lian leaked out during the 1986 visit of a Sichuan Opera troupe to Japan. Wang laments the leak of this Chinese traditional secret performance art and is concerned that non-Chinese performers in Japan, Singapore, South Korea and other countries are not well-trained.
Yang Yuelou (1844–17 July 1890) was a Qing dynasty Peking opera artist based in Beijing, who specialized in playing sheng roles, or men. He is probably best known today for his 1873 conviction in Shanghai, under judicial torture, of abducting the daughter of a wealthy comprador. This case drew widespread attention at the time, and much later ...