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The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music. [3] [4] [5]
The acquisition of Interline Brands allows The Home Depot access to expand its business to the multi-family sector, hospitality, and industrial area. Craig Menear, CEO of The Home Depot, says that the purchase gives The Home Depot more opportunity to expand in the maintenance, repair, and operations sector that was previously not successful.
Support move to 8-track tape (preferred) or poss any other 8-track variant, with redir from others. I know WP:NEVERHEARDOFIT is not a policy; but, just for my 2c worth, I WP:NEVERHEARDOF "8-track cartridge", just "8-track tape" and indeed simply "8-track" (announcers mentioning that my favourite K-Tel albums were available on LP, 8-track and ...
8-track or eight-track may refer to: 8-track cartridge, an analog magnetic tape format used for consumer audio distribution from the late 1960s to the early 1980s; 8-track, an eight-track reel-to-reel magnetic tape format used for multitrack recording in professional recording studios; 8tracks, an online site for user-generated mixtapes
Another invention patented by Cousino was the graphite coating applied to the bottom side of the tape in endless cartridges. [8] [9] [10] The coating allowed endless tape to be pulled out without crinkling it. 8-track cassettes also used the coating which caused the bottom side of the tape to be grey in colour. [11]
Equal to 8-track tape and Stereo-Pak, the tape runs at a standard speed of 3.75 inches per second (IPS). [5] This is double the speed of the Compact Cassette and half of the top speed of consumer reel-to-reel tape recorders, which usually offer both 3.75 IPS and 7.5 IPS speeds.
Fidelipac was originally a 1 ⁄ 4-inch-wide (6.4 mm) analog recording tape, two-track format. One of the tracks was used for monaural program audio, and the other being used for a cue track to control the player, where either a primary cue tone was recorded to automatically stop the cart, a secondary tone was recorded to automatically re-cue the cart to the beginning of the cart's program ...
The endless loop tape cartridge was designed in 1952 by Bernard Cousino of Toledo, Ohio. [6] [7]Previously, music in the car had been restricted mostly to radios. Records, due to their methods of operation and size, were not practical for use in a car, although several companies tried to market automobile record players such as the Highway Hi-Fi and the Auto-Com flexidisc.
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