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This version of the sulu is believed to have been designed for formal wear by Ratu Sir Lala Sukuna. The casual or everyday unisex sulus are known as sulu-vaka-toga (meaning Tongan sulu). Together with women's church or formal ceremony dress, simple sulus with an elastic waist that extend to the ankles are known as sulu-i-ra.
The concept of power dressing was brought to popularity by John T. Molloy's manuals Dress for success (1975) and Women: dress for success (1977), which suggest a gender specific professional dress code. Molloy's manuals addressed a new kind of female workers entering in a typical masculine environment recommending the skirted suit as a "uniform ...
Charro suit from early 20th century. A charro or charra outfit or suit (traje de charro, in Spanish) [1] is a style of dress originating in Mexico and based on the clothing of a type of horseman, the charro. The style of clothing is often associated with charreada participants, mariachi music performers, Mexican history, and celebration in ...
The lavalava is secured around the waist by an overhand knotting of the upper corners of the cloth; women often tuck the loose ends into the waistband, while men usually allow them to hang in front. Women generally wear ankle-length lavalava while men's wraps often extend to the knee or mid-calf depending on the activity or occasion.
The beads add extensive weight having some dresses weigh in at about 75 lbs. [5] Another coming of age event is the quinceañera, an event in Latin American cultures when a girl turns 15. Their gowns are often very brightly colored and resemble traditional ball gowns with very full ruffled or ruched skirts.
Fashion for children in the 1910s evolved in two different directions, day-to-day and formal dress. Boys were dressed in suits with trousers that extended to the knee and girls' apparel began to become less "adult" as skirt lengths were shortened and features became more child-focused. The war affected the trends in general, as well.
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