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  2. Act Without Words I - Wikipedia

    en.wikipedia.org/wiki/Act_Without_Words_I

    Act Without Words I is a short play by Samuel Beckett. It is a mime , Beckett's first (followed by Act Without Words II ). Like many of Beckett's works, the play was originally written in French ( Acte sans paroles I ), being translated into English by Beckett himself.

  3. Act (drama) - Wikipedia

    en.wikipedia.org/wiki/Act_(drama)

    An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. [ 1 ] [ 2 ] The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) [ 3 ] or a unit of analysis for dividing a dramatic work into ...

  4. Act Without Words II - Wikipedia

    en.wikipedia.org/wiki/Act_Without_Words_II

    Act Without Words II is a short mime play by Samuel Beckett, his second (after Act Without Words I). Like many of Beckett's works, the piece was originally composed in French ( Acte sans paroles II ), then translated into English by Beckett himself.

  5. Acting - Wikipedia

    en.wikipedia.org/wiki/Acting

    This connection with play also informed the words used in English (as was the analogous case in many other European languages) for drama: the word "play" or "game" (translating the Anglo-Saxon plèga or Latin ludus) was the standard term used until William Shakespeare's time for a dramatic entertainment—just as its creator was a "play-maker ...

  6. Three-act structure - Wikipedia

    en.wikipedia.org/wiki/Three-act_structure

    The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .

  7. Chekhov's gun - Wikipedia

    en.wikipedia.org/wiki/Chekhov's_gun

    If you say in the first act that there is a rifle hanging on the wall, in the second or third act it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there." — Sergius Shchukin (1911) Memoirs. [14] [3] "If in the first act you have hung a pistol on the wall, then in the following one it should be fired.

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