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The Velvet Underground by Michael Leigh was a contemporary mass market paperback about the secret sexual subculture of the early 1960s; Cale's friend and Dream Syndicate associate Tony Conrad showed it to the group, and MacLise made a suggestion to adopt the title as the band's name. [14]
The Velvet Underground (1969) Live recordings: November 12 – December 3, 1969 ; July 26, 1970 (Live at Max's Kansas City) "The Black Angel's Death Song" Studio recording: The Velvet Underground & Nico (1967) Live recording: November 23, 1969 (The Quine Tapes) "Booker T" Live recording: April 30, 1967 (Peel Slowly and See)
The discography of the American rock band The Velvet Underground consists of five studio albums, six live albums, 14 compilation albums, six box sets and eleven singles.. The first line-up was formed in New York City consisting of Lou Reed on vocals and guitar, John Cale on several instruments (viola, keyboards and bass), Sterling Morrison on guitar and bass and Angus MacLise on percussion ...
It should only contain pages that are The Velvet Underground songs or lists of The Velvet Underground songs, as well as subcategories containing those things (themselves set categories). Topics about The Velvet Underground songs in general should be placed in relevant topic categories .
“[The Velvet Underground] were ahead of their time. I think that they just had an approach that was very appealing to people who are just starting and playing. It’s simple songs. The structures are very low-key and stripped down. It’s the kind of thing you listen to and you think ‘That’s something within my grasp.’”
Live MCMXCIII ("1993" in Roman numerals) is a live album by the American rock band the Velvet Underground, released in 1993 by Sire Records. It was released simultaneously in single and double CD/ cassette formats on October 26, 1993 (with the single CD being an abridged version).
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"Here She Comes Now" was recorded during the recording sessions for White Light/White Heat in September 1967 at Scepter Studios in Manhattan. [5] Lou Reed originally intended the song to be sung by Nico, who had sung it on a few occasions during the Exploding Plastic Inevitable events, however her collaboration with the group had ended before recording for White Light/White Heat had begun.