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The book synthesized emotions and neurology and introduced the concept that action is a result of impression. Hartley determined that emotions drive people to react to appeals based on circumstance but also passions made up of cognitive impulses. [19] Campbell argues that belief and persuasion depend heavily on the force of an emotional appeal ...
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]
An emotion, elicited via emotive language, may form a prima facie reason for action, but further work is required before one can obtain a considered reason. [ 2 ] Emotive arguments and loaded language are particularly persuasive because they exploit the human weakness for acting immediately based upon an emotional response, without such further ...
For example, to write that a person noted, observed, clarified, explained, exposed, found, pointed out, showed, confirmed, or revealed something can imply objectivity or truthfulness, instead of simply conveying the fact that it was said. To write that someone insisted, speculated, or surmised can suggest the degree of the person's carefulness ...
Instead of believing that writing can become dull, writers can compromise for as little as 15 minutes to liberate ideas and put them on paper. She also argued that this practice would help authors to not fear blank pages when they start to write. Peter Elbow advanced freewriting in his book Writing Without Teachers (1973). [5]
A miss is as good as a mile; A new language is a new life (Persian proverb) [5] A penny saved is a penny earned; A picture is worth a thousand words; A rising tide lifts all boats; A rolling stone gathers no moss; A ship in a harbour is safe, but that's not what a ship is for; A stitch in time (saves nine) A watched man never plays; A watched ...
A reflective essay is an analytical piece of writing in which the writer describes a real or imaginary scene, event, interaction, passing thought, memory, or form—adding a personal reflection on the meaning of the topic in the author's life. Thus, the focus is not merely descriptive.
Thus, emotional expressions are culturally-prescribed performances rather than internal mental events. Knowing a social script for a certain emotion allows one to enact the emotional behaviors that are appropriate for the cultural context. [26] Emotional expressions serve a social function and are essentially a way of reaching out to the world ...