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  2. Romanesca - Wikipedia

    en.wikipedia.org/wiki/Romanesca

    Romanesca is a melodic-harmonic formula popular from the mid–16th to early–17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation. The pattern, which is found in an endless collection of compositions labeled romanesca , perhaps named after the Roma , is a descending descant formula ...

  3. Baroque dance - Wikipedia

    en.wikipedia.org/wiki/Baroque_dance

    The revival of baroque music in the 1960s and '70s sparked renewed interest in 17th and 18th century dance styles. While some 300 of these dances had been preserved in Beauchamp–Feuillet notation, it wasn't until the mid-20th century that serious scholarship commenced in deciphering the notation and reconstructing the dances.

  4. Brunette (song form) - Wikipedia

    en.wikipedia.org/wiki/Brunette_(song_form)

    The brunette is a French song form popular in the late seventeenth and eighteenth centuries. [1] Among those who worked in the form was Jacques Hotteterre, who published a collection of flute arrangements of airs and brunettes around 1721. [2]

  5. Hittite music - Wikipedia

    en.wikipedia.org/wiki/Hittite_music

    Hittite music is the music of the Hittites of the 17th–12th century BC and of the Syro-Hittite successor states of the 12th–7th century BC. Understanding of Hittite music is based on archaeological finds and literary source material. Hittite texts mainly describe the use of music in

  6. Minuet - Wikipedia

    en.wikipedia.org/wiki/Minuet

    The name may refer to the short steps, pas menus, taken in the dance, [1] or else be derived from the branle à mener or amener, popular group dances in early 17th-century France. [2] The minuet was traditionally said to have descended from the bransle de Poitou , though there is no evidence making a clear connection between these two dances.

  7. Musical historicism - Wikipedia

    en.wikipedia.org/wiki/Musical_historicism

    Whereas the historicism of the Ancient Airs and Dances for Lute (1917–31) by Ottorino Respighi is readily apparent to the ear, since the composer drew directly on the works of 16th- and 17th-century composers, the historicism informing the Music of Changes (1951) by John Cage, based on the ancient Chinese I Ching, is deeply embedded in the ...

  8. Category:17th century in music - Wikipedia

    en.wikipedia.org/wiki/Category:17th_century_in_music

    1675 in music; 1676 in music; 1677 in music; 1678 in music; 1679 in music; 1680 in music; 1681 in music; 1682 in music; 1683 in music; 1685 in music; 1686 in music; 1687 in music; 1688 in music; 1689 in music; 1690 in music; 1691 in music; 1692 in music; 1693 in music; 1694 in music; 1695 in music; 1696 in music; 1697 in music; 1698 in music ...

  9. Baroque music - Wikipedia

    en.wikipedia.org/wiki/Baroque_music

    Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style).