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Some cameras provide options for fine-tuning settings such as sharpness and saturation, which may be referred to as "Styles" or "Films". Some cameras offer color-altering settings to do things such as make the photograph black-and-white or sepia, swap specific colors, or isolate colors.
Sunlit subject shot on a digital camera set to ISO 100, exposed at f/8 at 1/400 second which is the same exposure value as f/16 for 1/100 second, the recommended "sunny 16" exposure In photography, the sunny 16 rule (also known as the sunny f /16 rule ) is a method of estimating correct daylight exposures without a light meter .
In photography, the metering mode refers to the way in which a camera determines exposure. Cameras generally allow the user to select between spot, center-weighted average, or multi-zone metering modes. The different metering modes allow the user to select the most appropriate one for use in a variety of lighting conditions.
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Current cameras do not allow direct setting of EV, and cameras with automatic exposure control generally obviate the need for it. EV can nonetheless be helpful when used to transfer recommended exposure settings from an exposure meter (or table of recommended exposures) to an exposure calculator (or table of camera settings).
Digital cameras usually have variable ISO settings that provide additional flexibility. Exposure is a combination of the length of time and the illuminance at the photosensitive material. Exposure time is controlled in a camera by shutter speed, and the illuminance depends on the lens aperture and the scene luminance. Slower shutter speeds ...
Another common use of aperture priority mode is to indirectly affect shutter speed for a desired effect. In landscape photography, a user might select a small aperture when photographing a waterfall, so that the camera will select a slow shutter speed (to allow a sufficient amount of light to reach the film or sensor for proper exposure), thereby causing the water to blur through the frame. [2]
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...