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Tap Root Manuscript is the sixth studio album recorded by Neil Diamond, released in October 1970.It was one of the most experimental albums he ever recorded, featuring rock music fused with prominent African sounds and instruments.
This is the discography of American singer-songwriter Neil Diamond. He has sold more than 130 million records worldwide, making him one of the best-selling music artists in history . [ 1 ] [ 2 ] Billboard ranked him as the 25th greatest artist of all time. [ 3 ]
Neil Leslie Diamond (born January 24, 1941) [1] is an American singer-songwriter. He has sold more than 130 million records worldwide, making him one of the best-selling musicians of all time. He has sold more than 130 million records worldwide, making him one of the best-selling musicians of all time.
Play Me: The Complete Uni Studio Recordings...Plus! is a box set of Neil Diamond's recordings for Uni Records. This anthology contains all of the tracks from: Velvet Gloves and Spit (1968) Brother Love's Travelling Salvation Show (1969) Touching You, Touching Me (1969) Tap Root Manuscript (1970) Stones (1971) Moods (1972)
"Girl, You'll Be a Woman Soon" is a song written by American musician Neil Diamond, whose recording of it on Bang Records reached number 10 on the US pop singles chart in 1967. The song enjoyed a second life when it appeared on the 1994 Pulp Fiction soundtrack , performed by rock band Urge Overkill .
The Greatest Hits: 1966–1992 is a compilation album by Neil Diamond released in 1992. Songs from his years with Uni/MCA (1968–1972) are represented by live or studio re-recordings as noted below because MCA Records refused to license the masters to Columbia Records, something that would cause controversy.
His 12 Greatest Hits is a compilation album by Neil Diamond, issued in 1974 on the MCA record label. As the title suggests, it contains twelve songs from Neil's catalogue. As the title suggests, it contains twelve songs from Neil's catalogue.
"Cracklin' Rosie" is a song written and recorded by Neil Diamond in 1970, with instrumental backing by Los Angeles session musicians from the Wrecking Crew, [1] including Hal Blaine on drums, Larry Knechtel on keyboards, Joe Osborn on bass, Al Casey on guitar and Gene Estes on percussion – arranged by Don Randi.