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Close-up of shisha (mirror) framed by embroidery stitches. Shisheh or abhla bharat embroidery (Persian شيشه, abhala bharat; Hindi: आभला भरत, abhla bharat; Gujarati: આભલા ભરત), or mirror-work, is a type of embroidery which attaches small pieces of mirrors or reflective metal to fabric.
Some of the major stitches used are identified by specific names such as "Mochi Bharat, Shisha or Abhala mirror work, Heer Bharat, Soof, Kharek and Paako". [1] Mirrors or glass pieces in different shapes are stitched to the fabric to make it shine; it is a specialty in the rituals and folklore culture of the pastoral community of Rabaris of ...
Mirrorwork is very popular for cushion covers and bedcovers, purses and decorative hangings as well as in decorative borders in women's salwar-kameez and sari. Thousands of women from kutch (Gujarat) and sikar, churu (Rajasthan) are engaged in doing hand embroidery work like tie, mirror work, beads on fabric.
Applying tiny mirrors attached with buttonhole and other stitch is the technique most characteristic of Sindhi work, but couching, appliqué and metal thread work are also very popular. Each caste has its own designs and motifs and favored color schemes particular array to such a degree that embroidery becomes a mark identification.
Chikan work in recent times has adopted additional embellishments like Mukaish, Kamdani, Badla, sequin, bead, and mirror work, which gives it a rich look. Chikan embroidery is mostly done on fabrics like cotton, semi-Georgette, pure Georgette, crepe, chiffon, silk, and any other fabric which is light and which highlights the embroidery.
The stitching on the cloth gives it a slightly wrinkled, wavy effect. Contemporary kantha is applied to a wider range of garments such as sarees, dupatta, shirts for men and women, bedding and other furnishing fabrics, mostly using cotton and silk. Modern Kantha-stitch craft industry involves a very complex multi-staged production model. [6]
Traditional rogan painting means Lehenga and sarees, but now Madhapar, Kutch rogan artist make gods and portrait in rogan painting [17] [18] Following the COVID-19 pandemic in 2020, the number of the tourists visiting them dropped significantly and the women working with them were laid off.
Original dress code of Sindhi women was Lehenga/Ghagra Choli with a long and wide veil, up until the 1840s, women started wearing the suthan underneath the lehnga, later on around 1930s with time Sindhi women stopped wearing lehenga and only wore Sindhi suthan and choli got replaced by long cholo, and men originally wore Dhoti or Godd and a long or short angrakho or Jamo [1] [2] [3] later ...
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