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The ballad version recorded by Brice was modified by Billie Holiday, who introduced a jazz/blues recording of "My Man" in 1937. Holiday's version was also successful, [3] although the song continued to be associated with Brice. Over the years, other artists from both the United States and abroad covered the song, though none of the artists ...
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed " Lady Day " by her friend and music partner, Lester Young , Holiday made a significant contribution to jazz music and pop singing.
It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. [1] Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. [2] In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated.
Heyward's inspiration for the lyrics was the southern folk spiritual-lullaby "All My Trials", of which he had Clara sing a snippet in his play Porgy. [9] [10] The lyrics have been highly praised by Stephen Sondheim. Writing of the opening line, he says That "and" is worth a great deal of attention.
"Fine and Mellow" is a jazz standard written by Billie Holiday, [1] who first recorded it on April 20, 1939 on the Commodore label. [2] It is a blues lamenting the bad treatment of a woman at the hands of "my man".
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. [4] There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. [5]
Stay with Me (MGV 8302) is an album by the jazz singer Billie Holiday, accompanied by Tony Scott and his Orchestra. It contains all the material from a session recorded on February 14, 1955, in New York City, [2] and released in 1958 on producer Norman Granz's Verve label.
In her 1956 autobiography, Holiday cites the infidelity of her first husband, Jimmy Monroe, as the inspiration for this song; specifically, an instance in which Monroe's woeful attempt to explain away lipstick on his collar elicits Holiday's disgusted response: "Take a bath, man; don't explain."