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"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. [2] John Julian in his A Dictionary of Hymnology calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first ...
Joachim Neander (1650 – 31 May 1680) was a German Reformed Church teacher, theologian and hymnwriter whose most famous hymn, Praise to the Lord, the Almighty, the King of Creation (German: Lobe den Herren, den mächtigen König der Ehren) has been described by John Julian in his A Dictionary of Hymnology as "a magnificent hymn of praise to God, perhaps the finest creation of its author, and ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Hymns based on Psalm 36 include in English "Praise to the Lord, the Almighty" and "Immortal, Invisible, God Only Wise". [33] The refrain and the first stanza of the German song "Herr, deine Güte reicht, so weit der Himmel ist" (Lord, your goodness extends as far as heaven)", published in 1965 with text by Gerhard Valentin and a melody by ...
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...
If you’re stuck on today’s Wordle answer, we’re here to help—but beware of spoilers for Wordle 1270 ahead. Let's start with a few hints.
Johann Sebastian Bach composed the church cantata Lobe den Herren, den mächtigen König der Ehren (Praise the Lord, the mighty King of honor), [1] BWV 137, in Leipzig for the twelfth Sunday after Trinity and first performed it on 19 August 1725. The chorale cantata is based on the hymn by Joachim Neander (1680).
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