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Gouache (/ ɡ u ˈ ɑː ʃ, ɡ w ɑː ʃ /; French:), body color, [a] or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), [1] and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve ...
Drawing Lessons; The Art of Drawing; Story of Hiawatha (c.1914) Pogany wrote three instructional books: Willy Pogany's Drawing Lessons, Willy Pogany's Oil Painting Lessons, and Willy Pogany's Water Color Lessons, Including Gouache. He completed them at the end of his final years in New York. [8]
Chen Jin’s focus was primarily in gouache painting, [8] with a special emphasis on figures paintings. From 1927 onward, she was selected numerous times for the Taiwan Art Exhibition (Taiten); [8] her work Ensemble was selected for the Imperial Art Exhibition (Teiten) in 1934. Chen's personal style developed gradually.
The main academy building is oriented to the compass points, enabling the painting studios to have exact north light year round. [citation needed] The academy's teaching year is broken up into fall, spring and summer terms, with the summer term being shorter. Each term, there is typically instruction on: [citation needed]
Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.
Out of the rift between Ba Zaw and Ba Nyan, a Rangoon School and a Mandalay School of painting emerged, the former tied to the instruction of Ba Nyan, which focused on oil painting and occasionally gouache, and the latter, derived from Ba Zaw who passed on his skills to Saya Saung, which painted in the English watercolor style. [3]
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