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I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:
"Rap God" is a song by American rapper Eminem. The song premiered via YouTube on October 14, 2013, and was released in the United States on October 15, 2013, as the third single from Eminem's eighth studio album, The Marshall Mathers LP 2 (2013). It contains references to previous conflicts in Eminem's career, as well as to other rappers' conduct.
According to a set of calculations done by a Genius contributor and confirmed by the website, Eminem's verse on the song out-performs his 2013 song "Rap God" in rapping speed by about 9.7 syllables per second. On "Majesty", Eminem raps 123 syllables in about 12 seconds—about 10.3 syllables per second—, while he spits 157 syllables in 16.3 ...
In popular music and rock music, "borrowing" of chords from the parallel minor of a major key is commonly done. As such, in these genres, in the key of E major, chords such as D major (or ♭ VII), G major (♭ III) and C major (♭ VI) are commonly used. These chords are all borrowed from the key of E minor.
A cloud rap song, "I'm God" is noted for its ethereal and dream-like aspects. It received a cult following on the Internet, being unofficially reuploaded by fans to social media, including in the form of a music video that incorporates clips from the French film Perdues dans New York (1989). "I'm God" went on to be influential to the cloud rap ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
Coltrane changes in C: I–V/ ♭ VI ♭ VI–V/III III–V I. 6: Major Eight-bar blues: I–V–IV–IV–I–V–I–V: 3: Major Folia: i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i: 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7 ...
This time, 'Problem' pulls from the funky, funky streets with a jazz-influenced riff. An overwhelming (but welcome) dose of saxophone leads the song before the more modern drum-filled beat drops." [36] In addition, 4Music said "Ariana's sweet-sounding vocals contrast brilliantly with Problem's sexy sax and Iggy's gritty rap." [46]