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Under the Feet of Jesus has received reviews from outlets such as The Radical Teacher, Chasqui, and Los Angeles Times, the latter of which compared Viramontes to John Steinbeck and wrote that "Viramontes' prose is thick and lush, like the grape fields where migrant workers labor under the hot sun. There is passion here, but the author avoids ...
She is known for her short stories, and for her two novels, Under the Feet of Jesus and Their Dogs Came With Them, and is considered one of the most significant figures in the early canon of Chicano literature. Most of her works explore themes of gender inequality, social justice, and the struggle within laboring communities.
At the Feet of the Master is a book attributed to Jiddu Krishnamurti (1895–1986), authored when he was 14 years old. Written under the name Alcyone , it was first published in 1910. The work was closely related to the World Teacher Project , a contemporary messianic endeavor launched by the Theosophical Society .
A pope who demonstrates that he is a man with his feet on the ground. [57] The washing of the feet angered many Catholic traditionalists. [58] Pope Francis had performed the Lenten washing of the feet, traditionally at Archbasilica of Saint John Lateran, at a juvenile detention home and included two girls and two Muslims. He stated that he ...
John 13:5 says that Jesus began to wash their feet: the washing was interrupted by Peter's initial refusal to allow Jesus to wash his feet, but John 13:12 suggests that the task was later completed and the feet of all the Disciples were washed, including those of Judas, [13] as Jesus then took back His garments and reclined [at table] again.
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The portrayal of Jesus Christ's suffering prior to this event is meant to inspire not only pain, but hope. The idea of scherzo , a musical term referring to the lighthearted, playful segment of a symphony, is present in this scene, [ 14 ] invoking slight lightness, hope, and promise in anticipation of Christ's future resurrection .
The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross, one of Seven Sorrows of the Virgin, and a common component of cycles of the Life of the Virgin, all of which increased the frequency with which the scene was depicted, as series of works based on these devotional themes became popular.