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Miriam Lichtheim describes the hymn as "a beautiful statement of the doctrine of the One God." [18] In 1913, Henry Hall contended that the pharaoh was the "first example of the scientific mind." [19] Egyptologist Dominic Montserrat discusses the terminology used to describe these texts, describing them as formal poems or royal eulogies. He ...
Cædmon's only known surviving work is Cædmon's Hymn, a nine-line alliterative vernacular praise poem in honour of God. The poem is one of the early attested examples of Old English and is, with the runic Ruthwell Cross and Franks Casket inscriptions, one of three candidates for the earliest attested example of Old English poetry. It is also ...
The poem survives in 23 manuscripts. [6] Among the key early manuscripts are Cardiff 2.114 (C 7), also called the Llyfr Ficer Woking, written 1564–1566 at the court of Rowland Meyrick, Bishop of Bangor; Bangor (Mostyn) 17, from the late 16th century; Hafod 26, also known as Cardiff 4.330, written by Thomas Wiliems around 1574; Llansteffan 120, written by Jaspar Gryffyth between about 1597 ...
Christ, our God, to Thee we raise This our Sacrifice of Praise. For the beauty of each hour Of the day and of the night, Hill and vale, and tree and flower, Sun and moon and stars of light: Christ, our God, to Thee we raise This our Sacrifice of Praise. For the joy of ear and eye, For the heart and brain's delight, For the mystic harmony
There is a strong link between Sotho music and Sotho poetry. A Sesotho praise poet characteristically uses assonance and alliteration. Eloquence or ‘bokheleke’ is highly valued in the sotho culture and people who possess this skill are respected. The praise poetry (dithoko) is not a musical form but, it is incorporated in most Sesotho songs ...
The Song of Hannah is a poem interpreting the prose text of the Books of Samuel. According to the surrounding narrative, the poem (1 Samuel 2:1–10) was a prayer delivered by Hannah, to give thanks to God for the birth of her son, Samuel. It is similar to Psalm 113 [1] and the Magnificat. [2]
The poem celebrates May, and specifically May Day, as the beginning of summer, the season in which the poet can make assignations to woo young ladies in the woods, [3] [4] though since the woods of May are only one part of Creation his praise of them also involves praise of God. [5] It was included by Thomas Parry in his Oxford Book of Welsh ...
Folio 129r of the early eleventh-century Oxford, Bodleian Library, MS Hatton 43, showing a page of Bede's Latin text, with Cædmon's Hymn added in the lower margin. Cædmon's Hymn is a short Old English poem attributed to Cædmon, a supposedly illiterate and unmusical cow-herder who was, according to the Northumbrian monk Bede (d. 735), miraculously empowered to sing in honour of God the Creator.
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