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Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.
Starting at the age of eight, Lhamo, recognized by many as a child prodigy, and her sister, Kelsang Chukie Tethong, trained under great masters of Tibetan Opera and Classical Music at the Tibetan Institute of Performing Arts set up by the Dalai Lama. Lhamo trained for fourteen years.
Vajara was founded by six young Tibetan people in 1999, [3] all of whom were born in the 1970s. [8] Dawa began his musical career while studying at Beijing's Minzu University of China in the early 1990s, where he sought a style separate from American rock and the rock music of Han Chinese people.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
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Instrumental recording of the anthem (Composed in MIDI). The national anthem of Tibet (Classical Tibetan: བོད་རྒྱལ་ཁབ་ཆེན་པོའི་རྒྱལ་གླུ།, Wylie: bod rgyal khab kyi rgyal glu), commonly referred to as "Gyallu", is a Tibetan patriotic song which serves as the de facto anthem of the Central Tibetan Administration.
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