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"Portrait of Jennie," the title song, written by J. Russel Robinson, with lyrics by Gordon Burge, was performed by Ronnie Deauville. [11] It has been covered since by many in jazz , often under the variant spelling "Portrait of Jenny," with early versions by Harry Babbitt , Jack Fina , Carmen Cavallaro , Freddy Martin , and Bill Snyder , [ 11 ...
Heylin describes the track as "a particularly fine portrait of a woman whose friends betray her with her words or advice". [4] Tom Pinnock of Uncut praised the lyrics and Dylan's vocal performance, but added that Dylan's playing is somewhat clumsy in places, and "the higher strings of his acoustic are audibly out of tune". [20]
McDonough describes it as "perhaps the empathetic portrait of a woman [Young has] ever created. [5] Greenwald calls the arrangement "exquisite" and comments how the lyrics provide a "clear" and "cinematic" picture of the female protagonist. [3]
On her Audible Words + Music episode “Portrait of a Portrait,” available today, Carey thoroughly examines the songwriting process for “Portrait,” the closing song on her 2018 album ...
The song—performed by Sequenza 9.3, with Catherine Simonpiétri conducting [citation needed] —is scored for female choir a cappella and rhythmic clapping. According to Para One, although he and Simonini researched eighteenth century period music , they nonetheless recommended to Sciamma "a modern sound" inspired by György Ligeti's Requiem ...
The portrait was dated around 1635–1638, but since 2012 it has been attributed as a wedding pendant and thus is dated 1625. [2] Similar to Hals' Portrait of a Woman Standing in Chatsworth House, this woman is wearing a wedding ring on her right forefinger, a figure-eight collar and lace wrist collars over sleeves that match her bodice, and a vlieger over a wheel-shaped fardegalijn.
"Portrait of a Lady" is a poem by American-British poet T. S. Eliot (1888–1965), first published in September 1915 in Others: A Magazine of the New Verse. It was published again in March 1916 in Others: An Anthology of the New Verse, in February 1917 (without the epigraph) in The New Poetry: An Anthology, and finally in his 1917 collection of poems, Prufrock and Other Observations.
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