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The music video became widely popular since the day released it on Sai Sai Kham Leng's official Facebook page and YouTube channel, and was praised for the animation quality and music video created by Pencell Studio. [8] That music video was earned 1 M views within 24 hours and then 2 M views in 7 days. [9] Bunny Phyoe at Dreamworld 2020 Concert
Traditional music is melodic, having its own unique form of harmony, often composed with a 4 4 (na-yi-se), a 2 4 (wa-let-se) or a 8 16 (wa-let-a-myan) time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song.
THE COUNTDOWN: From Charli XCX’s neon-splattered club remix with Lorde to The Cure’s moment of bleary-eyed brilliance 16 years in the making, here are the songs that defined 2024, chosen by ...
"A Bar Song" earned true star status this month, becoming one of only 45 songs in Hot 100 history to spend more than 10 weeks at number one. (Harry Styles' "As It Was," and Adele's "Easy On Me ...
On 20 February 2015, she won the Best Pop Song of Summer in Myanmar Music Awards 2014. In 2016, her debut solo album Kabar Oo Yee Sar was released. In 2018, her second solo album Shik Khwin Tine was released.
One of his songs, "Born to Win", was chosen as the anthem for Myanmar athletes at the 2013 Southeast Asian Games, held in Myanmar on 22 December 2013. The song, performed with the singer Zara Hnin Thwin on vocals, has J-Me rapping about "persistence" in a dedication to the young athletes and their fans. [8]
The song is a copy thachin of "Dust in the Wind" by the American band Kansas. [7] The song's title is variably translated as "We Won't Be Satisfied Until the End of the World," [8] "The World Will Not End," [1] "The World Is Unforgiving," [9] and "Until the End of the World". [7] Naing Myanmar wrote the song when he was 30 years old.
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.