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Born to Run is the third studio album by the American singer-songwriter Bruce Springsteen, released on August 25, 1975, by Columbia Records. Co-produced by Springsteen with his manager Mike Appel and the producer Jon Landau, its recording took place in New York. Following the commercial failures of his first two albums, the album marked ...
No music video was made for the original release of "Born to Run". In 1987, a video was released to MTV and other channels, featuring a live performance of "Born to Run" from Springsteen and the E Street Band's 1984–1985 Born in the U.S.A. Tour, interspersed with clips of other songs' performances from the same tour. It closed with a "Thank ...
Changed to the simpler 'was Springsteen's breakthrough album'. Retrospectively, the album is widely regarded - Today (or over the following decades)..."the album (has become) is widely regarded as Ceoil 05:36, 23 March 2024 (UTC) Done
U.S. Sen. Cory Booker, the Boss' former manager Mike Appel and New Jersey musicians tell us why the music and lyrics still matter.
The Born to Run tours were the unofficially-named concert tours surrounding the release of Bruce Springsteen's 1975 album Born to Run which occurred between 1974 and 1977. . The album represented Springsteen's commercial breakthrough, and was marked by a grueling and meticulous recording proce
Live/1975–85 is a live album by Bruce Springsteen and the E Street Band, consisting of 40 tracks recorded at various concerts between 1975 and 1985, and released as a box set by Columbia Records on November 10, 1986. [1] It broke the record for advance orders, and, according to RIAA certification, is the second-best-selling live album in the ...
Hammersmith Odeon, London '75 is a concert video and the fourth live album by Bruce Springsteen and the E Street Band, released in 2006.It is a full-length recording of their performance on November 18, 1975, at the Hammersmith Odeon in London, during their Born to Run tours.
In his autobiography, Born to Run, Springsteen states that "Backstreets" is about a broken friendship. [5] The melody and organ bear some resemblance to "Positively 4th Street" by Bob Dylan, an influence of Springsteen's. Rolling Stone claims that it echoes mid-1960s Dylan, especially the organ part reminiscent of Blonde on Blonde. [3]