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Carl Frederick Buechner (/ ˈ b iː k n ər / BEEK-nər; July 11, 1926 – August 15, 2022) was an American author, Presbyterian minister, preacher, and theologian. The author of thirty-nine published books, [ 1 ] his career spanned more than six decades and encompassed many different genres.
Telling the Truth: the Gospel as tragedy, comedy, and fairy tale, is a collection of essays by Frederick Buechner on the subject of homiletics. It was first composed for and delivered at the Yale Divinity School Lyman Beecher Lecture series in 1976. [1] Telling the Truth was subsequently published in 1977 by HarperCollins. It is Buechner's ...
Frederick Buechner: Novelist and Theologian of the Lost and Found. (1988) (ISBN 9780060653293) Victoria S. Allen. Listening to Life: Psychology and Spirituality in the Writings of Frederick Buechner. (2002) (ISBN 9781561677269) Dale Brown. The Book of Buechner: A Journey Through His Writings. (2006) (ISBN 9780664231132
The Magnificent Defeat is a collection of meditations on Christianity and faith by Frederick Buechner. It was first conceived as a series of sermons, delivered at the Phillips Exeter Academy throughout 1959. It was subsequently published by Seabury Press, NY, in 1966. The Magnificent Defeat is Buechner’s first non-fiction publication.
The Sacred Journey: A Memoir of Early Days is an autobiography by author Frederick Buechner, the first of a four part series.Published in 1982, the work describes the author's life from his childhood up until his conversion to Christianity in 1953, at the age of twenty-seven.
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Telling Secrets: a memoir (1991), is the third of four partial autobiographies written by Frederick Buechner. Published in 1991, the work considers in depth several scenes and events from the author's life, from his father’s suicide through to his time spent as a visiting professor at Wheaton College. Overview
Buechner reflects on the themes that run through The Entrance to Porlock in his autobiographical work, Now and Then (1983). Concerning the title he chose for the novel, he writes that it is a 'reference to the visitor from Porlock who woke Coleridge out of the visionary trance of Kubla Khan.
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