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The Draw-a-Person test (DAP, DAP test), Draw-A-Man test (DAM), or Goodenough–Harris Draw-a-Person test is a type of test in the domain of psychology. It is both a personality test, specifically projective test, and a cognitive test like IQ. The test subject uses simple art supplies to produce depictions of people.
Autistic art is artwork created by autistic artists that captures or conveys a variety of autistic experiences. According to a 2021 article in Cognitive Processing, autistic artists with improved linguistic and communication skills often show a greater degree of originality and attention to detail than their neurotypical counterparts, with a positive correlation between artistic talent and ...
Wands, Bruce Art of the Digital Age, Thames and Hudson 2006, pp. 89, 139, ISBN 0500286299 | ISBN 978-0500286296; Weibel, Peter and Shaw, Jeffrey, Future Cinema, MIT Press 2003, pp. 472,572-581, ISBN 0-262-69286-4; Wilson, Steve Information Arts: Intersections of Art, Science, and Technology ISBN 0-262-23209-X
Stephen Wiltshire MBE, Hon.FSAI, Hon.FSSAA (born 24 April 1974) is a British architectural artist and autistic savant. [1] He is known for his ability to draw a landscape from memory after seeing it just once. His work has gained worldwide popularity. In 2006, Wiltshire was made a Member of the Order of the British Empire (MBE) for services to ...
Elisabeth Salzhauer Axel's book Art beyond sight: a resource guide to art, creativity, and visual impairment covers a variety of different subjects like the meanings of making art, art theory and verbal description. The book gives different suggestions about how the blind can actually go about making art; there is an example of one woman who is ...
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
(Harmon's papers are available in the Archives of American Art.) [9] His influence on the teaching of drawing has been long-lasting and substantial, and his book is still in use today. In brief, he taught drawing by (1) exploring the edge of the subject with 'contour drawing', (2) encouraging free and rapid 'gesture drawing', (3) encouraging ...
For some artists, there is a calisthenic logic: just as an athlete warms up before exercising or participating in sports, artists use gesture drawing to prepare themselves mentally and physically for a figure drawing session. The fast pace of gesture poses helps an artist "loosen up" to avoid a stiff drawing style.