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Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G.
The harmonic seventh chord is a dominant seventh chord formed by a major triad plus a harmonic seventh interval. The harmonic seventh interval is a minor seventh tuned in the 7:4 pitch ratio, one of the possible "just ratios" defined for this interval in just intonation (slightly below the width of a minor seventh as tuned in equal temperament ...
A ninth chord includes the seventh; without the seventh, the chord is not an extended chord but an added tone chord—in this case, an add 9. Ninths can be added to any chord but are most commonly seen with major, minor, and dominant seventh chords. The most commonly omitted note for a voicing is the perfect fifth.
The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have ...
vii o 7 as dominant substitute ♯ II o 7 as dominant substitute. The diminished seventh chord is often used in place of a dominant 7th chord. In the key of A Major the V chord, E dominant 7th (which is made up the notes E, G ♯, B, and D) can be replaced with a G ♯ diminished seventh chord (G ♯, B, D, F).
In music theory, the dominant seventh flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the root (1, ♮ 3, ♭ 5 and ♭ 7). For example, the dominant seventh flat five chord built on G, commonly written as G 7 ♭ 5, is composed of the pitches G–B–D ♭ –F:
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