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Totem pole in Vancouver, British Columbia Totem poles at the Museum of Anthropology at the University of British Columbia. The meanings of the designs on totem poles are as varied as the cultures that make them. Some poles celebrate cultural beliefs that may recount familiar legends, clan lineages, or notable events, while others are mostly ...
A sotdae (Korean pronunciation:) is a tall wooden pole or stone pillar with a carved bird on its top, built for the purpose of folk belief in Korea. [1] [2] [3] Like jangseung, wooden totem poles with a sculpted human face, it was usually erected near the entrance of a village to ward off evil spirits as well as to represent villagers' wishes for prosperity and well-being.
A totem (from Ojibwe: ᑑᑌᒼ or ᑑᑌᒻ doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system.
The original pole had a separate carved horned owl perched at the very top; the pole no longer has the owl on top. [14] This is a memorial pole to "Prince capsized himself" that was raised by his brother, Nespalas, who wanted his brother's position in the clan. This pole was collected by Charles F. Newcombe for the Royal Ontario Museum in 1923 ...
Poles are placed outside family houses where they display the family's crests, history, wealth, social rank, inheritance, and privilege. [22] The sequence of characters and symbols sculpted into a totem pole is indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. [23]
A ceremonial pole is a stake or post utilised or venerated as part of a ceremony or religious ritual. Ceremonial poles may symbolize a variety of concepts in different ceremonies and rituals practiced by a variety of cultures around the world. In many cultures, ceremonial poles represent memorials and gravemarkers.
Kwakwakaʼwakw arts consist of a diverse range of crafts, including totems, masks, textiles, jewellery and carved objects, ranging in size from transformation masks to 40 ft (12 m) tall totem poles. Cedar wood was the preferred medium for sculpting and carving projects as it was readily available in the native Kwakwa̱ka̱ʼwakw regions. Totems ...
Depending on the location or affiliation, jangseung can be divided into village guardian, temple guardian, and public guardian. The village guardian is the god of dongje, and has the functions of village guardian, mural, expelling the harmful ghosts, fire prevention, and gathering happiness for the village.