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Review aggregator Rotten Tomatoes reports an approval rating of 27% based on 88 reviews and an average rating of 4.6/10. The website's critical consensus reads, "While it might prove somewhat satisfying for devout sci-fi fans, Pandorum's bloated, derivative plot ultimately leaves it drifting in space."
This is an accepted version of this page This is the latest accepted revision, reviewed on 3 December 2024. American review aggregator for film and television Rotten Tomatoes Screenshot Rotten Tomatoes's homepage as of April 1, 2021 Type of site Film and television review aggregator and user community Country of origin United States Owner Warner Bros. Discovery (25%) Comcast (75%) Founder(s ...
Rotten Tomatoes logo. On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is assessed as positive rather than negative. The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are ...
The Fourth Kind is a 2009 science fiction thriller [2] film directed by Olatunde Osunsanmi and featuring a cast of Milla Jovovich, Elias Koteas, Corey Johnson, Will Patton, Charlotte Milchard, Mia Mckenna-Bruce, Yulian Vergov, and Osunsanmi.
The review aggregator website Rotten Tomatoes gives the film an approval rating of 65% based on 262 reviews and an average rating of 6.5/10. The site's critical consensus reads, "After the heady sci-fi thrills of District 9 , Elysium is a bit of a comedown for director Neill Blomkamp, but on its own terms, it delivers just often enough to satisfy."
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On Rotten Tomatoes, the film holds an approval rating of 70% based on 67 reviews and an average rating of 6.3/10. The site's critics consensus reads, "An intriguing debut for writer-director Emmanuel Osei-Kuffour, Black Box compensates for a lack of surprises with strong performances and an emotionally rewarding story."
William Goss of Film.com gave the film a rating of "D" and wrote "For some reason, the motivation of panic seems like a consistent rationale for ensemble hysteria in low-budget films like these, and I’d be able to forgive it all -- well, most of it -- if Area 407 had actually made with some effective frights or a more inventive mythology rather than amateurishly cashing in on this trend of ...