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The maker culture is a contemporary subculture representing a technology-based extension of DIY culture [1] that intersects with hardware-oriented parts of hacker culture and revels in the creation of new devices as well as tinkering with existing ones. The maker culture in general supports open-source hardware.
It is, to begin with, much less static than the others. It stresses a process view of minding, including the fact that "minding" is undergoing constant change. "Meaning making" also forces us to focus on the individuality and the uniqueness of the meaning maker (the minder). In most of the other metaphors there is an assumption of "sameness" in ...
Meaning Maker takes form as a series of fill-out-form pamphlets. [9] Each pamphlet is an "edition" which focuses on a single subject. The Meaning Makers are: Academic Conference, American Citizenship, Art Viewing Experience, Control, Family Gathering, Food, Higher Education, Periodic Personal Evaluation, Relationship to Nature, and U.S. Presidential Elections.
Rasquache is the English form of the Spanish term rascuache, originally with a negative connotation in Mexico it was recontextualized by the Mexican and Chicano arts movement to describe a specific artistic aesthetic, Rasquachismo, suited to overcoming material and professional limitations faced by artists in the movement.
A maker space with potential bricolage material. In the arts, bricolage (French for "DIY" or "do-it-yourself projects"; French pronunciation: [bʁikɔlaʒ]) is the construction or creation of a work from a diverse range of things that happen to be available, or a work constructed using mixed media.
better chance of giving meaning to our lives and what we do. It brings us to a new level of consciousness and awareness in the way we live and direct our own lives. Many, many people have carried out this exercise on an annual basis for years; it has helped them to create a fundamental shift in their lives and
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Keywords: A Vocabulary of Culture and Society is a book by the Welsh Marxist academic Raymond Williams published in 1976 by Croom Helm.. Originally intended to be published along with the author's 1958 work Culture and Society, this work examines the history of more than a hundred words that are familiar and yet confusing: Art, Bureaucracy, Culture, Educated, Management, Masses, Nature ...