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The initial core set of terms was derived from authority lists and the literature of art and architectural history; this core set was reviewed, approved and added to by an advisory team made up scholars from all relevant disciplines, including art and architectural historians, architects, librarians, visual resource curators, archivists, museum personnel, and specialists in thesaurus construction.
A design or figure commonly used in architectural ornaments and design patterns, including art nouveau. Syrian arch In American architecture, esp. Richardsonian Romanesque, an archway that begins at the ground, rather than being set upon a supporting pedestal. [C.f. Richardsonian Romanesque: Syrian arch] Systyle
Spatial design is a relatively new conceptual design discipline that crosses the boundaries of traditional design specialisms such as architecture, landscape architecture, landscape design, interior design, urban design and service design as well as certain areas of public art.
Positive space refers to the areas of the work with a subject, while negative space is the space without a subject. [6] Open and closed space coincides with three-dimensional art, like sculptures, where open spaces are empty, and closed spaces contain physical sculptural elements.
Space is one of the elements of design of architecture, [1] as space is continuously studied for its usage. Architectural designs are created by carving space out of space, creating space out of space, and designing spaces by dividing this space using various tools, such as geometry , colours , and shapes .
Space in landscape design refers to theories about the meaning and nature of space as a volume and as an element of design. The concept of space as the fundamental medium of landscape design grew from debates tied to modernism , contemporary art , Asian art and design as seen in the Japanese garden , and architecture .
In page layout, illustration and sculpture, white space is often referred to as negative space. It is the portion of a page left unmarked: margins , gutters , and space between columns, lines of type, graphics, figures, or objects drawn or depicted, and is not necessarily actually white if the background is of a different colour.
Visual space is the experience of space by an aware observer. It is the subjective counterpart of the space of physical objects. It is the subjective counterpart of the space of physical objects. There is a long history in philosophy, and later psychology of writings describing visual space, and its relationship to the space of physical objects.