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Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with Jenna Wortham, of the New York Times podcast Still Processing. Previously, Morris wrote for The Boston Globe, then Grantland. [4]
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times)
The New York Film Critics Circle will be the first major group of film journalists to unveil its winners on Nov. 30. And its selections should provide an important look at which films are viable ...
Her 2011 movie "50/50" is the highest-rated by critics, with 2009's "Up in the Air" in second place. Anna Kendrick made her film debut in 2003's "Camp" over 20 years ago.
Manohla June Dargis (/ m ə ˈ n oʊ l ə ˈ d ɑːr ɡ ɪ s / mə-NOH-lə DAR-ghiss) [1] is an American film critic. She is the chief film critic for The New York Times. [2] She is a five-time finalist for the Pulitzer Prize for Criticism.
Rotten Tomatoes score: 30% "Be Cool" is a sequel to the 1995 film "Get Shorty." After the events of "Get Shorty," mobster turned filmmaker Chili Palmer (John Travolta) decides to leave the movie ...
Hornaday began contributing to the "Arts & Leisure" section of The New York Times, eventually going on to become film critic at the Austin American-Statesman in 1995. [5] In 1997 she moved to The Baltimore Sun, then to The Washington Post in 2002, following the retirement of the Post 's previous critic Rita Kempley. [1]