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Kara Elizabeth Walker (born November 26, 1969) is an American contemporary painter, silhouettist, printmaker, installation artist, filmmaker, and professor who explores race, gender, sexuality, violence, and identity in her work.
A Subtlety (also known as the Marvelous Sugar Baby and subtitled an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant) is a 2014 piece of installation art by American artist Kara Walker.
They Waz Nice White Folks While They Lasted (Sez One Gal to Another) is a 2001 installation artwork by American artist Kara Walker, located at the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States. It consists of paper cutouts forming a strange tableau with the projected image of a steamboat. [1]
Fons Americanus was a sculpture, taking the form of a functional fountain adorned with allegorical scenes and figures, created by American artist Kara Walker.The sculpture was housed in the Tate Modern’s Turbine Hall from late 2019 to early 2020, and was destroyed at the end of its time there.
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Radcliffe Bailey, Sanford Biggers, Jordan Casteel, David Driskell, Theaster Gates, Lyle Ashton Harris, Glenn Ligon, Kerry James Marshall, Richard Mayhew, Faith Ringgold, Betye Saar, Amy Sherald, Hank Willis Thomas, Kara Walker, Carrie Mae Weems, and Kehinde Wiley appear in the documentary. [2]
Why Born Enslaved is the basis for Kara Walker's 2017 statue Negress, which is a plaster cast made from the bust where the bust's face forms a void within it.
Walker and his first wife, Kara, eloped before he deployed in 2005, and divorced a few months after he returned in 2006. [20] Around this time, he was the lead singer and songwriter in a psychedelic garage rock band named Safari, and they released the album Maybe Tomorrow in 2010. [ 21 ]