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The most familiar of the canons is the perpetual/infinite canon (in Latin: canon perpetuus) or round. As each voice of the canon arrives at its end it can begin again, in a perpetuum mobile fashion; e.g., "Three Blind Mice". Such a canon is also called a round or, in medieval Latin terminology, a rota.
Badinerie – Form with light, playful character, often quite brief and usually included at the end of a Baroque suite. Canon – Contrapuntal composition in which a single melody is imitated by successively entering voices. Crab canon – Canon where one line is the retrograde of another, reading the same backwards and forwards.
A traditional folk dance from the Yaeyama Islands of Okinawa, performed during festivals and celebrations. Features dynamic movements and distinctive local musical accompaniment. Angura Underground (アングラ) theater movement that emerged in Japan in the 1960s as an experimental and avant-garde form of theater.
Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". [2] Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by ...
In partner dancing, connection is physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers.
Definitions of what constitutes dance are dependent on social, cultural, aesthetic, artistic, and moral constraints and range from functional movement (such as folk dance) to codified, virtuoso techniques such as ballet. [4] There is one another modern form of dance that emerged in 19th- 20th century with the name of free dance style. This form ...
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The Seasons' Canon is a contemporary ballet choreographed by Crystal Pite to Max Richter's recomposition of Vivaldi's The Four Seasons. The ballet is Pite's first work made for the Paris Opera Ballet, and premiered in 24 September 2016 at the Palais Garnier. Pite won the Prix Benois de la Danse for Best Choreographer.