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Libertango is a composition by tango composer and bandoneon player Astor Piazzolla, recorded and published in 1974 in Milan. The title is a portmanteau merging " Libertad " (Spanish for "liberty") and "tango", symbolizing Piazzolla's break from classical tango to tango nuevo .
Astor Pantaleón Piazzolla (Spanish:, Italian: [pjatˈtsɔlla]; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music.
The pieces were scored for his quintet of violin (viola), piano, electric guitar, double bass and bandoneón. By giving the adjective porteño, referring to those born in Buenos Aires, the Argentine capital city, Piazzolla gives an impression of the four seasons in Buenos Aires. The order of performance Piazzolla gave to his "Estaciones ...
Histoire du Tango is a composition by tango composer Ástor Piazzolla, originally scored for flute and guitar in 1985 and published in 1986. [1] It is one of the most famous compositions by Piazzolla and is often played with different combinations, including violin or double bass substituted for the flute, and piano, harp or marimba substituted for the guitar.
Libertango composed by Astor Piazzolla, performed by Astor Piazzolla & orchestra, recorded in Milan in 1974. Bahia Blanca composed by Carlos di Sarli, performed by Carlos Di Sarli y su Orquesta Típica, recorded in Buenos Aires in 1958.
Recorded in New York City in 1987, the album was produced by Kip Hanrahan and Piazzolla. [5] [6] Its music was originally developed as a theater performance about the history of the tango. [7] Piazzolla, who played the bandoneon, recorded the album with his Quinteto Tango Nuevo. [8] [9] Paquito D'Rivera played saxophone on Rough Dancer. [10]
Piazzolla's Orquesta Típica, also known as the 1946 Orchestra, was a tango orchestra formed in 1946 in Buenos Aires by the Argentine bandoneon player Astor Piazzolla.This was Piazzolla's first orchestra of his own and from this spring board he would later go on to pioneer a new approach to the genre with his Octeto Buenos Aires.
The album was recorded in Milan and includes eight compositions, seven written by Piazzolla and one by Mulligan. The fusion of the nuevo tango of Astor Piazzolla with the jazz influences of Gerry Mulligan, backed by an orchestra of Italian and Argentinian musicians, has been described as "a memorable disc of rare beauty" [ 4 ] and "a one-off ...
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