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Several scholars attribute all the poems in the later anthology Kalithokai to one poet, possibly Nallanthuvanār, and believe that they were erroneously assigned to five poets (Pālai to Pālai Pādiya Perunkadunkō, Kurinji to Kapilar, Marutham to Maruthan Ilanākanār, Mullai to Chōlan Nalluruthiran, and Neythal to Nallanthuvanār) due to ...
The poem is generally dated to the late classical period (2nd to 4th century CE), [2] with some scholars suggesting it may have been composed a few centuries later. [ 3 ] The anthologies and poems of the Sangam literature have numerous references and verses to Murugan – also known as Subrahmanya, Kumara, Skanda, Kartikeya in other parts of ...
The poem is an important and rich source of historical information about the ancient Chola kingdom and its capital city. The Pattinappalai mentions the city's music and dance traditions, cock and ram fights, the thriving alcohol and fisheries business, the overseas and domestic trade among the Indian peninsular port cities.
Sculpture of the Ancient Tamil Siddhar Agastyar who is traditionally believed to have chaired the first Tamil Sangam in Madurai. The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Cāṉṟōr ceyyuḷ), [1] connotes the early classical Tamil ...
The poems of Kaliththogai are in Kali metre which is known for its dramatic and lyrical qualities and which, according to Tolkappiyam is well suited to express the emotions of the lovers. There is repetition of certain lines and phrases and this, added to the haunting music of the metre, is very appealing.
'guide for bards with the large lute') is an ancient Tamil poem in the Pattuppattu anthology of the Sangam literature. [1] It contains 500 lines in the akaval meter. [2] It is one of five arruppatai genre poems and was a guide to other bards seeking a patron for their art.
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
Nedunalvadai contains 188 lines of poetry in the akaval metre. [4] It is a poem of complex and subtle artistic composition, its vividness and language has won it many superlatives, including one by the Tamil literature scholar Kamil Zvelebil, as "the best or one of the best of the lays of the [Sangam] bardic corpus". [4]