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Un canto a mi padre; Aquí estoy; Mañana; Sigo confiando en ti; Por siempre rey; Agua viva [4] Rey de gloria; Después de llover; Mi corazón; Cuando me diste tu amor [5] Agua viva; Prométeme; Amar unos an otros; Dios me devolvió mi mañana; Lo mejor de Danny Berrios (Vol. 2) Levanta la luz; Cúbreme; Sacrifico a él; Dios se está moviendo ...
Que te perdone Dios... yo no (English title: Ask God for Forgiveness... Not Me ) [ 1 ] is a Mexican telenovela produced by Angelli Nesma Medina for Televisa . It is the remake of the telenovela Abrázame muy fuerte , produced in 2000.
"La Llave de mi Corazón" Single by Juan Luis Guerra; from the album La Llave de Mi Corazón; Released: January 22, 2007 () Recorded: 2006–2007: Studio: Circle House Studios (Miami, Florida) Chocolab Midi Studios JLG Studios (Santo Domingo, Dominican Republic) Genre: Merengue · Mambo: Length: 3: 14: Label: EMI Televisa Music: Songwriter(s ...
"Vaya con Dios (May God Be With You)" ([ˈba.ʝa kon djos], literally "Go with God") is a popular song written by Larry Russell, Inez James, and Buddy Pepper, and first recorded by Anita O'Day in December 1952.
"Háblame Como la Lluvia" (Benny, Anahi Van Zandweghe) – 5:05 "Tonto Corazón (Memo Méndez Guiú, Paulyna Carraz)" – 4:23 "Dentro de Ti" (Benny) – 3:22
"Baila Mi Corazón" (My Heart Dances) is the lead single from Belanova's third studio album, Fantasía Pop. The song premiered on July 2, 2007 in Mexico , followed by release in Argentina , Spain , the United States and the rest of Latin America .
Mi corazón es tuyo (English title: My Heart is Yours [2]) is a Mexican telenovela produced by Juan Osorio for Televisa. The telenovela is an adaptation of the Spanish TV series Ana y los 7 . It was adapted in Mexico by Alejandro Pohlenz, Marcia del Río, and Pablo Ferrer.
For the monthly number-one songs of the decade, see List of number-one songs from the 1950s (Mexico).. This is a list of the 10 most popular songs in Mexico for each year between 1950 and 1960, as published in the book "El Sound Track de la vida cotidiana", by Fernando Mejía Barquera.