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Ad nauseam is a Latin term for an argument or other discussion that has continued to the figurative point of nausea. [ 1 ] [ 2 ] For example, "this has been discussed ad nauseam " indicates that the topic has been discussed extensively and those involved have grown sick of it.
Ad infinitum is a Latin phrase meaning "to infinity" or "forevermore". Description. In context, it usually means "continue forever, ...
ad nauseam: to sickness: i.e., "to the point of disgust". Sometimes used as a humorous alternative to ad infinitum. An argumentum ad nauseam is a logical fallacy in which erroneous proof is proffered by prolonged repetition of the argument, i. e., the argument is repeated so many times that persons are "sick of it". ad oculos: to the eyes
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
Note that the direction a piacere (see above) has a more restricted meaning, generally referring to only the first two types of discretion. Baroque music, especially, has a written or implied ad libitum, with most composers intimating the freedom the performer and conductor have. For post-Baroque classical music and jazz, see cadenza.
Riemannian theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, [ 1 ] notation, [ 2 ] harmony, [ 3 ] melody, [ 4 ] phraseology, [ 5 ] the history of music theory, [ 6 ] etc.