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The main characteristics of Renaissance music are: [1] Music based on modes. Rich texture, with four or more independent melodic parts being performed simultaneously. These interweaving melodic lines, a style called polyphony, is one of the defining features of Renaissance music. Blending, rather than contrasting, melodic lines in the musical ...
The recorder family, one of the many consorts of instruments available to Renaissance composers. One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if ...
Composers of the lute song usually composed other forms of music as well such as madrigals, chansons, and consort songs. The consort song, popular in England, is considered to be closely related to the lute song. This was an earlier strophic form of music that was for a solo voice accompanied by a small group of string instruments. [1]
It was probably used for this purpose more than any other secular song: over 40 settings are known. Many composers of the Renaissance set at least one mass on this melody; the two settings by Josquin, the Missa L'homme armé super voces musicales, and the Missa L'homme armé sexti toni are among the best known.
The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale , but differs from it by also involving an element of melody type .
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music.The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.
Homophony and polyphony coexisted in the 1600s and 1700s. Polyphony was the common melody during the Renaissance period. During the Baroque period, monophony became the new modern style. The choral arrangement of four voices (soprano, alto, tenor, and bass) has since become common in Western classical music. [7]