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The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
First Aid is a 1931 American pre-Code crime film [3] directed by Stuart Paton. [1] Produced by Ralph M. Like, the film was released on 5 July 1931 and was distributed by Sono Art-World Wide Pictures. [2] First Aid was filmed in Santa Monica, California. Some scenes were filmed at the Bon Ton Ballroom. [2]
File:A Dangerous Profession poster.jpg; File:A Date With Judy film poster.jpg; File:A Desperate Chance for Ellery Queen poster.jpg; File:A Dispatch from Reuters 1940 poster.jpg; File:A Double Life poster.jpg; File:A Gentleman at Heart poster.jpg; File:A Girl, a Guy and a Gob.jpg; File:A good time for a dime poster.jpg; File:A Guy Could Change ...
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
In first aid, the recovery position (also called semi-prone) is one of a series of variations on a lateral recumbent or three-quarters prone position of the body, often used for unconscious but breathing casualties.
The Sting, 1973 [1]. Richard Amsel was born in Philadelphia.Shortly after graduating from Philadelphia College of Art, his proposed poster art for the Barbra Streisand musical Hello, Dolly! was selected by 20th Century Fox for the film’s campaign after a nationwide artists’ talent search; the artist was 22 at the time.