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He also purchased inexpensive bouquets himself, choosing flowers in a variety of types and colors for his paintings. [33] Many of his still life paintings of flowers reflect a sense of overabundance of European still lifes, where blossoms fill the canvas, blooms spill out of the vase or stems of flowers teeter on the edge of the vase. [34]
The exuberant bouquet of roses is said to be one of Van Gogh's largest, most beautiful still life paintings. Van Gogh made another painting of roses in Saint-Rémy, which is on display at the Metropolitan Museum of Art in New York. [1] When Van Gogh left Saint-Rémy on May 16 both rose paintings with very thick paint were left behind to dry.
When van Gogh created still life paintings he was able to explore light and its effect on colors. A close-up of the bottle in Still Life with Straw Hat reveals that way in which van Gogh used varying shades of the same color to depict how light would fall, or be shaded, in the everyday items he painted from home or the garden. [4]
Pierre-Joseph Redouté (French pronunciation: [pjɛʁ ʒozɛf ʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. [1]
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C.. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown.
Fantin-Latour painted still lifes since the 1860s until the end of his career. The representation of roses appears arranged of multiple ways in many of his still lifes. This work shows on a monochrome background a basket occupying the whole composition, full of roses of different colors, rather in pale tones, white, pink or yellow.
McCracken is influenced by the Flemish Baroque school of still life where meticulous attention is paid to detail. These works of art are centered around compositions of flowers, eating utensils in the style and manner of the ontbijtje of "little breakfast", while these Flemish works were of a style of Vanitas, [7] McCraken's work is not philosophical in the sense that the subject is meant to ...
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