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Orphic Hymn 71 is addressed to Melinoe, and describes her as follows (in the translation by Apostolos Athanassakis and Benjamin M. Wolkow): I call upon Melinoë, saffron-cloaked nymph of the earth, whom revered Persephone bore by the mouth of the Kokytos river upon the sacred bed of Kronian Zeus.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which sits above the proem in the surviving manuscripts of the collection; [34] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
Melinno (Ancient Greek: Μελιννῶ) was a Greek lyric poet.She is known from a single surviving poem, [1] known as the "Ode to Rome". The poem survives in a quotation by the fifth century AD author Stobaeus, who included it in a compilation of poems on manliness. [2]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The earliest known, full-length opera composed by a Black American, “Morgiane,” will premiere this week in Washington, DC, Maryland and New York more than century after it was completed.
Perhaps the most common example of metalepsis in narrative occurs when a narrator intrudes upon another world being narrated. In general, narratorial metalepsis arises most often when an omniscient or external narrator begins to interact directly with the events being narrated, especially if the narrator is separated in space and time from ...
Crocus was unhappy with his love affair with the nymph Smilax, and he was turned by the gods into a plant bearing his name, the crocus ().Smilax is believed to have been given a similar fate and transformed into bindweed.
Hard by [the Areopagos the murder court of Athens] is a sanctuary of the goddesses which the Athenians call the August, but Hesiod in the Theogony calls them Erinyes (Furies). It was Aeschylus who first represented them with snakes in their hair. But on the images neither of these nor of any of the under-world deities is there anything terrible.