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Odetta Sings Ballads and Blues is the debut solo album by American folk singer Odetta. It was released in November 1956 by Tradition Records. [1] Like much of Odetta's early work, Ballads and Blues combines traditional songs (e.g. spirituals) with blues covers. Some songs on this album were also recorded for Odetta & Larry's 1954 album The Tin ...
B. Babe (Sugarland song) Baby Can I Hold You; The Ballad of Davy Crockett; The Ballad of Eskimo Nell; The Ballad of John and Yoko; Ballad of Sir Frankie Crisp (Let It Roll)
The focus of the material is the music Odetta performed when recording for the Tradition label — Odetta Sings Ballads and Blues (1956) and Odetta at the Gate of Horn (1957). Tradition released The Best of Odetta on LP with a slightly different track list in 1967. It was also re-released on CD on the Collectables label in 2006.
The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music traditionally was preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of ...
The Caller (folk song) Can't Help Thinking About Me; The Cat Sat Asleep by the Side of the Fire; Catcheside-Warrington's Tyneside Songs; Catcheside-Warrington's Tyneside Stories & Recitations; John W. Chater; Chater's Annual; Cherry Ripe (song) Child Ballads; The Cliffs of Old Tynemouth; Cob coaling; Cock a doodle doo; Cock Robin; A Collection ...
Blues rock duo Hot Tuna included a version of the song titled "Know You Rider" on their debut live album, Hot Tuna, [10] and have played the song live many times since. The song was a staple of the Grateful Dead 's live shows from the beginning of the band's existence in 1965. [ 1 ]
From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry. [5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onward.
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.