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A million and a half Jewish children were told to raise their hands". [10] [19] Dobroszycki pointed out the discrepancies between Nussbaum's claim and what is known about the photograph. All images in the Stroop Report are believed to have been taken inside the Warsaw Ghetto, while the Hotel Polski is not in the ghetto.
[2] [6] In addition to the photos themselves, caption of the photos have been analyzed as well, as they can be helpful in understanding framing biases; for example the same photo captioned in Russian might describe the victims as Soviet citizens, in Polish, as Polish citizens, and in Yiddish, as Jews. [6] [12]
The growing hostility towards Jewish children is reflected by the fact that Jewish students received worse grades than their peers, regardless of the quality of their work. Additionally, teachers forbade Jewish students from participating in school activities and incorporated elements of the Nazi ideology in their classrooms, such as the use of ...
Nevertheless, the brave deed of sheltering a Jewish youth did have its opponents. Following years in concealment, shielding their true selves and at times their physical being, the conclusion of World War II led the hidden Jewish children to individual freedom. However, for a majority of the children, the end of the war produced even more sorrow.
Jan Żabiński was a zoologist and zootechnician by profession, a scientist, and organizer and director of the renowned Warsaw Zoo before and during World War II. [2] He became director of the Zoo before the outbreak of war but during the occupation of Poland also held a prestigious function of the Superintendent of the city's public parks in ...
Kaleb is born surrounded by the love of a Jewish German family, the final puppy birthed on a warm, sunny day. He has the misfortune, however, of entering into this world right before a terrible ...
I Never Saw Another Butterfly: Children's Drawings and Poems from Terezin Concentration Camp, 1942–1944 is a collection of works of art and poetry by Jewish children who lived in the concentration camp Theresienstadt. They were created at the camp in secret art classes taught by Austrian artist and educator Friedl Dicker-Brandeis.
The images were taken within 15–30 minutes of each other by an inmate inside Auschwitz-Birkenau, the extermination camp within the Auschwitz complex. Usually named only as Alex, a Jewish prisoner from Greece, the photographer was a member of the Sonderkommando , inmates forced to work in and around the gas chambers.