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The Battle Hymn of the Republic: A Biography of the Song That Marches On (Oxford University Press; 2013) ISBN 978-0-19-933958-7. 380 pages. Traces the history of the melody and lyrics & shows how the hymn has been used on later occasions. Stutler, Boyd B. Glory, Glory, Hallelujah! The Story of "John Brown's Body" and "Battle Hymn of the ...
"The Battle Hymn of the Republic, Updated" (otherwise known as "The Battle Hymn of the Republic (Brought Down to Date)") was written in 1900 [1] by Mark Twain, as a parody of American imperialism, in the wake of the Philippine–American War. It is written in the same tune and cadence as the original "Battle Hymn of the Republic" by Julia Ward ...
Julia Ward Howe (/ h aʊ / HOW; [1] May 27, 1819 – October 17, 1910) was an American author and poet, known for writing the "Battle Hymn of the Republic" as new lyrics to an existing song, and the original 1870 pacifist Mothers' Day Proclamation. She was also an advocate for abolitionism and a social activist, particularly for women's suffrage.
Gunka (軍歌, lit. ' military song ') is the Japanese term for military music. While in standard use in Japan it applies both to Japanese songs and foreign songs such as "The Battle Hymn of the Republic", as an English language category it refers to songs produced by the Empire of Japan in between roughly 1877 and 1943.
The melody of "Glory, Glory" is the same as that of "Say Brothers Will You Meet Us," "John Brown's Body," and "Battle Hymn of the Republic." [ 1 ] The song was arranged for the University of Georgia Band by member, and later Department of Music chair, Hugh Hodgson in 1915.
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It was later commonly used in many animated cartoons. In the 21st Century, the melody is occasionally used, and the lyrics rarely. [citation needed] During the events leading up to the American Civil War, both the North and the South generated a number of songs to stir up patriotic sentiments, such as "Battle Hymn of the Republic" and "Dixie ...
The chorus mimics the chorus in The Battle Hymn of the Republic, replacing the lyrics "Glory, glory, hallelujah! His truth is marching on." with "Gory, gory, what a hell of a way to die! He ain't gonna jump no more." [2] [3] The song is a cautionary tale on the dangers of improper preparation for a parachute jump. [4]