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  2. Where I'm Standing Now - Wikipedia

    en.wikipedia.org/wiki/Where_I'm_Standing_Now

    "Where I'm Standing Now" is a song by American contemporary Christian musician Phil Wickham featuring American contemporary worship musician Brandon Lake. The song was released on June 25, 2021, [1] as the fifth track on Wickham's eighth studio album, Hymn of Heaven (2021). [2] Wickham co-wrote the song with Brandon Lake and Brian Johnson. [3]

  3. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  4. It's Always Been You - Wikipedia

    en.wikipedia.org/wiki/It's_Always_Been_You

    "It's Always Been You" is a song by American contemporary Christian musician Phil Wickham. The song was released on May 14, 2021, by Fair Trade Services as the first promotional single from his eighth studio album, Hymn of Heaven (2021). [1]

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  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    A common chord progression with these chords is I-♭ VII–IV-I, which also can be played as I-I-♭ VII–IV or ♭ VII–IV-I-I. The minor-third step from a minor key up to the relative major encouraged ascending scale progressions, particularly based on an ascending pentatonic scale. Typical of the type is the sequence i–III–IV (or iv ...

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  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  9. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).