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The pose, thought of as being stately, was copied by other portrait painters across Europe and America. Most paintings and photographs show the right hand inserted into the waistcoat/jacket, but some sitters appear with the left hand inserted. The pose was also often seen in mid-nineteenth century photography. [2]
A grey striped six-on-one double-breasted suit with jetted pockets, a style popular in the 1980s. A double-breasted garment is a coat, jacket, waistcoat, or dress with wide, overlapping front flaps which has on its front two symmetrical columns of buttons; by contrast, a single-breasted item has a narrow overlap and only one column of buttons.
Buttons on a single-breasted jacket could be from one to four, and one of them should always be buttoned. The lowest one, on the contrary, is not in the buttonhole. [5] In general, a single-breasted jacket is a more versatile and practical option. [6] Due to several layers of fabric in the belly area, models with two rows of buttons can be very ...
Stud buttons (also push-through buttons or just studs) are composed from an actual button, connected to a second, button-like element by a narrow metal or plastic bar. Pushed through two opposing holes within what is meant to be kept together, the actual button and its counterpart press it together, keeping it joined.
A four-button double-breasted jacket usually buttons in a square. [19] The layout of the buttons and the shape of the lapel are co-ordinated in order to direct the eyes of an observer. For example, if the buttons are too low, or the lapel roll too pronounced, the eyes are drawn down from the face, and the waist appears larger. [ 20 ]
The jacket was further decorated with patterns sewn in bullion lace, often in a pattern matching that of the dolman worn beneath it. The front of the jacket was distinctive and typically featured several rows of parallel froggings and loops, and either three or five vertical lines of buttons. For officers of the British Hussars this frogging ...
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The buttons on a frock coat were always covered in cloth, often to match the silk on the revers, showing in the triangle of lining wrapped over the inside of the lapels. Another common feature was the use of fancy buttons with a snow-flake or check pattern woven over it.