Search results
Results from the WOW.Com Content Network
When Quetico Provincial Park was created in 1913, many Indigenous people—and presumably their horses—were forcibly removed. Free-roaming horses were particularly at risk, as they did not have caretakers watching over them. Later in the century, mechanization played a role as motor vehicles, including the snowmobile, replaced the horse. [3] [9]
The Horses photographed in 2012. The Horses (also known as the Wild Horse Monument) is a public art sculpture created by David Govedare in 1989–1990 and situated near Vantage, Washington. It consists of 15 life-size steel horses which appear to be galloping across a ridge above the Columbia River. Presented as a gift for the centenary of ...
The Crazy Horse Memorial is a mountain monument under construction on privately held land in the Black Hills, in Custer County, South Dakota, United States.It will depict the Oglala Lakota warrior Crazy Horse, riding a horse and pointing to his tribal land.
After horses were introduced to North America, many Plains Indian tribes began to make larger horse-drawn travois. Instead of making specially constructed travois sleds, they would simply cross a pair of tepee poles across the horse's back and attach a burden platform between the poles behind the horse. This served two purposes at once, as the ...
Lee Marmon (Laguna Pueblo), next to his most famous photograph, "White Man's Moccasins". Photography by indigenous peoples of the Americas is an art form that began in the late 19th century and has expanded in the 21st century, including digital photography, underwater photography, and a wide range of alternative processes.
The 1919 Southwestern Exposition and Fat Stock Show in Fort Worth, Texas marked a milestone as the first recorded cutting horse exhibition. Cutting was established as a competitive annual event the following year. [7] In 1946, the National Cutting Horse Association (NCHA) was founded by a group of 13 cutting horse owners who were attending the ...
Curtis' photographs comprehend indispensable images of every human being at every time in every place" [33] In Shadow Catcher: The Life and Work of Edward S. Curtis, Laurie Lawlor commented that "many Native Americans Curtis photographed called him Shadow Catcher. But the images he captured were far more powerful than mere shadows.
The Gran Chaco or Dry Chaco is a sparsely populated, hot and semiarid lowland tropical dry broadleaf forest natural region of the Río de la Plata basin, divided among eastern Bolivia, western Paraguay, northern Argentina, and a portion of the Brazilian states of Mato Grosso and Mato Grosso do Sul, where it is connected with the Pantanal region.