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Dionysius' three volume work On mimesis (On imitation), which was the most influential for Latin authors, is lost. [1] Most of it contained advice on how to identify the most suitable writers to imitate and the best way to imitate them. [1] [2] For Dionysian imitatio, the object of imitation was not a single author but the qualities of many. [2]
Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier) (from "Sweet Potato Pie," Eugenia Collier)
Imitation (from Latin imitatio, "a copying, imitation" [1]) is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of learning that leads to the "development of traditions , and ultimately our culture .
Mimesis, or imitation (imitatio), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality. Mimesis criticism looks to identify intertextual relationships between two texts that go beyond simple echoes, allusions , citations , or redactions .
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A pastiche combining elements of paintings by Pollaiuolo and Botticelli (Portrait of a Woman and Portrait of a Young Woman [it; fr; es] respectively), using Photoshop. A pastiche (/ p æ ˈ s t iː ʃ, p ɑː-/) [1] [2] is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. [3]
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