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This rotation allows for greater extension of the leg, especially when raising it to the side and rear. [1] Turnout is an essential part of classical ballet technique. [2] Turnout is measured in terms of the angle between the center lines of the feet when heels are touching, as in first position.
Italian, or French adage, meaning 'slowly, at ease.' Slow movements performed with fluidity and grace. One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. The section of a grand pas (e.g., grand pas de deux), often referred to as grand adage, that features dance ...
Jazz hands in performance dance is the extension of a performer's hands with palms toward the audience and fingers splayed. This position is also referred to as webbing. It is commonly associated with especially exuberant types of performance such as musicals, cheerleading, show choir, revue, and especially jazz dance shows. [1]
Fusion dance may employ any dance technique, or arbitrary combination of techniques, associated with any type of dance. It usually incorporates dance partnering techniques such as connection, extension-compression, and frame, and may also utilise other techniques such as ballet technique, contact improvisation, and popping.
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
What the Attan Dance consists of: The dancers gather in a circle, and then is followed by music which starts slow at first, and then gradually speeds up. There is a consistent beat and rhythm, and during that specific beat is when they clap inside the circle, so the movement of the hands is outside prior to the beat.
The style of dance employed for céilí dance differs greatly from that used for set dance, and has more the appearance associated with the style of step dance. In particular, it emphasizes height and extension, with dancers generally dancing on their toes (but not en pointe as in ballet).