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Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne furniture.
The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
Dutch furniture craftsman Gerrit Jensen was appointed royal Cabinet Maker to the king and queen, and a great many works of his design were sold to wealthy British citizens of the day. [ 7 ] In Britain, case furniture [ b ] in the William and Mary style tended to feature simple flat surfaces but exquisitely carved trim. [ 1 ]
Another distinctive style of Amish furniture is the Soap Hollow School, developed in Soap Hollow, Pennsylvania. These pieces are often brightly painted in red, gold, and black. Henry Lapp was a furniture maker based in Lancaster County, Pennsylvania, and it is his designs that most closely resemble the furniture we think of today as Amish-made ...
Monterey Furniture refers to several furniture lines made from 1930 to the mid-1940s in California. Uniquely western, the line derived its character from Spanish and Dutch Colonial styles, California Mission architecture and furnishings, ranch furnishings, and cowboy accoutrements such as might be found in a barn (lariats and branding irons).
After his death in 1770, shortly before the beginning of the reign of Louis XVI, he had no real successor in the baroque style. The end of the reign of Louis XV also brought to prominence the first artist to paint in the neoclassical style, Joseph Marie Vien, who painted scenes of Rome inspired by the discoveries at Herculaneum and Pompeii.
It was made long after the Stewarts left Scotland. [11] [12] Examples of surviving furniture considered to be of good provenance were drawn and published by John William Small, an architect and furniture-maker based in Stirling, as Scottish Woodwork of the Sixteenth & Seventeenth Centuries (Stirling & London, 1878). [13]
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