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The Bassoon Sonata in G major, Op. 168, was written by Camille Saint-Saëns in 1921 as one of his last works. This bassoon sonata is the last of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Clarinet Sonata (Op. 167), written the same year.
3 Pieces for guitar and fortepiano, Op. 10; Sonatina, Op. 68 and Op. 70 (or for violin and piano) Sonata, Op. 71; Variations sur un theme favori de Rode, Op. 97; Grande Sonate brillante, Op. 102; 4 Leichte und angenehme Rondino, Op.140; 6 Ecossaises; Pezzi Facili; Andante con Espressione
In music, Op. 168 stands for Opus number 168. Compositions that are assigned this number include: Compositions that are assigned this number include: Saint-Saëns – Bassoon Sonata
Camille Saint-Saëns's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death.. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
Anton Diabelli, lithograph by Josef Kriehuber. Anton (or Antonio) Diabelli (5 September 1781 – 8 April 1858) was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three Diabelli Variations.
A sonatina (French: “sonatine”, German: “Sonatine") is a small sonata.As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form, but is shorter and lighter in character, or technically more elementary, than a typical sonata. [1]
Erik Tawaststjerna, who authored seminal biography on Sibelius, was an early, vocal advocate for many of the composer's piano pieces.. Robert Layton characterizes the Three Sonatinas as "probably Sibelius's most convincing keyboard works.
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.
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